Studio Update: Progress on “Don’t Weep for Me”

"Don't Weep for Me" 2025

Over the past week, I’ve been deeply immersed in the ongoing development of my latest large-scale painting, “Don’t Weep for Me.” This piece is a triptych, and from time to time, I temporarily stick the three panels together in the studio. It’s a practical step—one that helps me ensure the larger vision is staying cohesive across the full span of the work—but it also serves another purpose: it gives me a moment to step back and take in the scale.

Seeing the panels together like this helps me assess the flow and balance, making sure each section is contributing to the emotional impact I want the piece to carry. For my followers and collectors, this is also one of the best ways to get a sense of just how expansive this work is. I’ve always been drawn to creating pieces that invite the viewer in, and this one is no exception.

Lately, my focus has been on the bottom panel, specifically the mountain range in the background. I’ve been working to build depth—layer by layer—to create that immersive feeling of distance. I want the mountains to feel like they stretch beyond the canvas, inviting the viewer to step closer and feel something. There’s a quiet power in the landscape, and I’m doing my best to translate that with every brushstroke.

There’s still quite a bit of work ahead. As with all my larger pieces, I’m giving this one the time it needs to fully come to life. But I’m happy with how it’s progressing and look forward to sharing more updates soon.

Thank you for following the journey with me. If you haven’t already, make sure you’re subscribed to my newsletter for first looks at new work, exclusive behind-the-scenes updates, and upcoming shows.

Until next time,

—Kent